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Laughter: The multi-instrumentalist & Brian Eno of laughter Laraaji

ep.12 Wolfe interviews Laraaji, American multi-instrumentalist dubbed “the Brian Eno of laughter,” about his life in music, meditation and the colour orange.

Ambient: Wolfe interviews Laraaji, an American multi-instrumentalist dubbed “the Brian Eno of laughter,” about his life in music, meditation, and the colour orange. Wolfe and Laraaji also share their new collaboration, which celebrates dublab’s 20th anniversary. Listen to this dublab radio show that takes you from happy feet to belly laughter via the thread of joy. 

Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe [[LINK: www.beatiewolfe.com]] explores the power of music across Space, Science, Art, Health, Film & Technology by talking to the leading luminaries in each field from Nobel Prize winners to multi-platinum producers and hearing the music that has most impacted them, their “Orange Juice for the Ears”. Beatie Wolfe is an artist who has beamed her music into space, been appointed a UN Women role model for innovation, and held an acclaimed solo exhibition at the V&A Museum.

Laraaji’s Orange Juice for the Ears

  • First song that imprinted? “Jingle Bells” performed by Ella Fitzgerald

  • First album that shaped who you are? A full blown hearing vision in 1974

  • The music you would send into Space? “In a Celestial Water Garden" by Laraaji

  • The song you would have at your memorial? “Infinite Sun" by Kula Shaker

  • The album you would pass onto your kids? Magical Mystery Tour by The Beatles - track played “The Fool On the Hill”


The show opens with “Orange” by Beatie Wolfe and Laraaji to celebrate dublab's 20th & Bedrock 10th year anniversaries. 

This show first aired live on LA’s dublab radio. The podcast was mastered by Dean Hovey. For rights reasons, the music in this podcast version is shorter than in the original broadcast.

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Public Radio: LA's legendary station dublab at 20 w/ Ale Cohen

ep.11 Beatie Wolfe interviews Ale Cohen, director of dublab, about twenty years dedicated to the growth of music, arts and culture. Listen to this dublab radio show that takes you from Recoleta to dublab HQ via a smashed up record.

ep.11 Public Radio: Beatie Wolfe interviews Ale Cohen, director of dublab, about twenty years dedicated to the growth of music, arts and culture. Listen to this dublab radio show that takes you from Recoleta to dublab HQ via a smashed up record.

Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe explores the power of music across Space, Science, Art, Health, Film & Technology by talking to the leading luminaries in each field from Nobel Prize winners to multi-platinum producers and hearing the music that has most impacted them, their “Orange Juice for the Ears”. Beatie Wolfe is an artist who has beamed her music into space, been appointed a UN Women role model for innovation and held an acclaimed solo exhibition at the V&A Museum.

Alejandro Cohen’s Orange Juice for the Ears

  • First song that imprinted? “0303456” by Raffaella Carrà

  • First album that shaped who you are? Love and Rockets by Love and Rockets - track played “I Feel Speed”

  • The music you would send into Space? “Money, Money” from the 1972 film version of Cabaret

  • The song you would have at your memorial? “Wheel of the Law” by Kendra Smith

  • The album you would pass onto your kids? La Conferencia Secreta del Toto's Bar by Los Shakers - track played “Mas Largo Que El Ciruela”


The show opens with “This is How We Walk on the Moon” by Arthur Russell, which reminds Beatie Wolfe of Ale because of his band's performance at an Arthur Russell tribute night and because it was the reference track for a Beatie Wolfe x Laraaji collab track to commemorate dublab's 20th.

This show first aired live on LA’s dublab radio. The podcast was mastered by Dean Hovey. For rights reasons, the music in this podcast version is shorter than in the original broadcast.

ep.11 Ale Cohen on dublab radio with Beatie Wolfe.jpg
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Social Impact: From no.10 to Second Home founder Rohan Silva

ep.10 Beatie Wolfe interviews Rohan Silva, the co-founder of Second Home & former policy adviser to the British Prime Minister, about creating socially conscious businesses.

Social Impact: Beatie Wolfe interviews Rohan Silva, the co-founder of Second Home & former policy adviser to the British Prime Minister, about creating socially conscious businesses. Listen to this dublab radio show that takes you from Wakefield's public library to Hollywood's "anti-WeWork" via making change at Number 10.

Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe explores the power of music across Space, Science, Art, Health, Film & Technology by talking to the leading luminaries in each field from Nobel Prize winners to multi-platinum producers and hearing the music that has most impacted them, their “Orange Juice for the Ears”. Beatie Wolfe is an artist who has beamed her music into space, been appointed a UN Women role model for innovation and held an acclaimed solo exhibition at the V&A Museum.

Rohan Silva’s Orange Juice for the Ears

  • First song that imprinted? “Tomorrow Never Knows” by The Beatles

  • First album that shaped who you are? “Wandering Star” from Portishead’s Dummy

  • The music you would send into Space? “Loaded” by Primal Scream

  • The song you would have at your memorial? “Come Together” by The Beatles

  • The album you would pass onto your kids? “Tangled Up in Blue” from Bob Dylan's More Blood, More Tracks

The show opens with “It’s Oh So Quiet” by Bjork, a track Beatie Wolfe most associates with Rohan Silva from their first meeting in Libreria, Second Home’s bookshop.

This show first aired live on LA’s dublab radio. The podcast was mastered by Dean Hovey. For rights reasons, the music in this podcast version is shorter than in the original broadcast.

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Management: From Nirvana to Moulin Rouge, Janet Billig Rich

ep.09 Beatie Wolfe interviews Janet Billig Rich (former Nirvana / The Smashing Pumpkins / Hole manager & Rock of Ages / Moulin Rouge Theatre Producer) about the music industry, past and present, and how she went from selling t-shirts for Sonic Youth and REM, age 16, to managing her favourite bands to becoming the youngest snr exec at Atlantic Records.

ep.09: Beatie Wolfe interviews Janet Billig Rich (former Nirvana / The Smashing Pumpkins / Hole manager and Rock of Ages / Moulin Rouge Theatre Producer) about the music industry, past and present, and how she went from selling t-shirts for Sonic Youth and REM, age 16, to managing her favourite bands to becoming the youngest senior executive at Atlantic Records. Listen to this dublab radio show that takes you from grunge to Broadway via the power of passion. 

Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe explores the power of music across Space, Science, Art, Health, Film & Technology by talking to the leading luminaries in each field from Nobel Prize winners to multi-platinum producers and hearing the music that has most impacted them, their “Orange Juice for the Ears”. Beatie Wolfe is an artist who has beamed her music into space, been appointed a UN Women role model for innovation and held an acclaimed solo exhibition at the V&A Museum

Janet Billig Rich’s Orange Juice for the Ears

  • First song that imprinted? “I Feel the Earth Move” by Carole King

  • First album that shaped who you are? Let It Be by The Replacements - track played “Unsatisfied”

  • The music you would send into Space? “Fuck and Run” by Liz Phair

  • The song you would have at your memorial? "In My Life" by The Beatles

  • The album you would pass onto your kids? Cuz I Love You by Lizzo - track played “Truth Hurts”

The show opens with "About a Girl (Live)” (from MTV Unplugged) by Nirvana, a track Beatie Wolfe most associates with Janet Billig Rich as she is the first person credited for making the show happen.

This show first aired live on LA’s dublab radio. The podcast was mastered by Dean Hovey. For rights reasons, the music in this podcast version is shorter than in the original broadcast.

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Art: Grammy/Tony winning songwriter Allee Willis

ep.08 Beatie Wolfe interviews Grammy winning songwriter Allee Willis about penning some of the world's greatest songs, including "September" and “Boogie Wonderland” by Earth Wind & Fire, and how she ended up on Russia's most wanted list.

Beatie Wolfe interviews Grammy-winning songwriter Allee Willis about penning some of the world's greatest songs, including "September" and “Boogie Wonderland” by Earth Wind & Fire, and how she ended up on Russia's most wanted list. Listen to this dulab radio show that takes you from dancing sea lions to Beverly Hills Cop via the soul of Detroit.

Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe explores the power of music across Space, Science, Art, Health, Film & Technology by talking to the leading luminaries in each field from Nobel Prize winners to multi-platinum producers and hearing the music that has most impacted them, their “Orange Juice for the Ears”. Beatie Wolfe is an artist who has beamed her music into space, been appointed a UN Women role model for innovation, and held an acclaimed solo exhibition at the V&A Museum.

Allee Willis’ Orange Juice for the Ears

  • First song that imprinted? “Bye Bye Baby” by Mary Wells 

  • First album that shaped who you are? Where Did Our Love Go by The Supremes - track played “Where Did Our Love Go”

  • The music you would send into Space? “Whatcha See Is Whatcha Get” by The Dramatics

  • The song you would have at your memorial? “September” by Earth, Wind & Fire

  • The album you would pass onto your kids? New York Tendaberry by Laura Nyro - track played “Save the Country”

The show opens with “(Sittin' On) the Dock of the Bay” by Otis Redding, a track Beatie Wolfe most associates with Allee Willis as Allee was sitting on the dock of the bay when Redding's plane crashed.

This show first aired live on LA’s dublab radio. The podcast was mastered by Dean Hovey. For rights reasons, the music in this podcast version is shorter than in the original broadcast.

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Film: LA’s Indie Director Ross Harris

ep.05 Beatie Wolfe interview Ross Harris AKA "rossangeles" (Stones Throw/Elliott Smith filmmaker) about capturing the west coast music scene, some of its unlikely heroes, and the art of storytelling.

Beatie Wolfe interviews Ross Harris AKA "rossangeles" (Stones Throw/Elliott Smith filmmaker) about capturing the west coast music scene, some of its unlikely heroes, and the art of storytelling. Listen to this dublab radio show which takes you from Airplane! to Gary Wilson via the thread of family and friendship. 

Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe explores the power of music across Space, Science, Art, Health, Film & Technology by talking to the leading luminaries in each field from Nobel Prize winners to multi-platinum producers and hearing the music that has most impacted them, their “Orange Juice for the Ears”. Beatie Wolfe is an artist who has beamed her music into space, been appointed a UN Women role model for innovation and held an acclaimed solo exhibition at the V&A Museum. The Barbican is commissioning a new documentary about Beatie's work which will be directed by Ross Harris. 

Ross Harris’ Orange Juice for the Ears

  • First song that imprinted? “Ruby Don’t Take Your Love to Town” by Kenny Rogers 

  • First album that shaped who you are? Revolver by The Beatles - track played “Taxman” 

  • The music you would send into Space? “Starman” by David Bowie 

  • The song you would have at your memorial? “Please Don’t Bury Me" by John Prine

  • The album you would pass onto your kids? Salad Days by Mac DeMarco - track played “Let Her Go” 

The show opens with “Coming Up Roses” by Elliott Smith, a track Beatie Wolfe most associates with Ross Harris as Ross made the “Coming Up Roses” music video for Elliott, in addition to the Oscar-nominated “Miss Misery” and “Plainclothes Man.”

This show first aired live on LA’s dublab radio. The podcast was mastered by Dean Hovey. For rights reasons, the music in this podcast version is shorter than in the original broadcast.

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Words: Legendary Music Editor Craig Marks

ep.06 Beatie Wolfe interviews current LA Times Music Editor and former top Editor at Billboard/Spin/Blender Craig Marks about being at the helm of Spin for the rise of Nirvana and the importance of meaningful music journalism & curation in this age of metrics.

Beatie Wolfe interviews current LA Times Music Editor and former top Editor at Billboard/Spin/Blender Craig Marks about being at the helm of Spin for the rise of Nirvana and the importance of meaningful music journalism and curation in this age of metrics. Listen to this dublab radio show which takes you from surberia to MTV via the thread of Dirty Mind.

Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe explores the power of music across Space, Science, Art, Health, Film & Technology by talking to the leading luminaries in each field from Nobel Prize winners to multi-platinum producers and hearing the music that has most impacted them, their “Orange Juice for the Ears”. Beatie Wolfe is an artist who has beamed her music into space, been appointed a UN Women role model for innovation and held an acclaimed solo exhibition at the V&A Museum.

Craig Marks’ Orange Juice for the Ears

  • First song that imprinted? "Hello, Goodbye" by The Beatles 

  • First album that shaped who you are? Dirty Mind by Prince - track played "When You Were Mine"

  • The music you would send into Space? "Love is Strange" by Mickey & Sylvia

  • The song you would have at your memorial? "Enjoy Yourself" by The Specials

  • The album you would pass onto your kids? The B-52's by The B-52's – track played "Dance This Mess Around"

The show opens with “Stumblin In” by Suzi Quatro & Chris Norman, a track Beatie Wolfe most associates with Craig Marks after their reunion karaoke duet at Montero's in Brooklyn.


This show first aired live on LA’s dublab radio. The podcast was mastered by Dean Hovey. For rights reasons, the music in this podcast version is shorter than in the original broadcast.

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Space: Nobel Laureate Dr Robert Wilson

ep.04 Beatie Wolfe interviews Nobel Laureate Dr Robert Wilson about capturing the sound at the birth of our universe (Cosmic Microwave Background) via the Holmdel Horn Antenna and proving the validity of the "Big Bang" theory.

Beatie Wolfe interviews Nobel Laureate Dr Robert Wilson about capturing the sound at the birth of our universe (Cosmic Microwave Background) via the Holmdel Horn Antenna and proving the validity of the "Big Bang" theory. Listen to this dublab radio show which takes you from sound to astronomy via the thread of curiosity.

Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe explores the power of music across Space, Science, Art, Health, Film & Technology by talking to the leading luminaries in each field from Nobel Prize winners to multi-platinum producers and hearing the music that has most impacted them, their “Orange Juice for the Ears”. Beatie Wolfe is an artist who has beamed her music into space (with Robert Wilson via the “Big Bang” Horn Antenna), been appointed a UN Women role model for innovation and held an acclaimed solo exhibition at the V&A Museum.

Robert Wilson’s Orange Juice for the Ears

  • First song that imprinted? Puccini's Madama Butterfly by the Metropolitan Opera

  • First album that shaped who you are? Graceland by Paul Simon - track played "Graceland" 

  • The music you would send into Space? Already done this with Beatie Wolfe's Raw Space

  • The song that you most associate with a loved one? “Can't Help Falling In Love” by Elvis Presley

  • The album you would pass onto your kids? Hobo's Lullaby by Arlo Guthrie - track played "City of New Orleans"

The show opens with “Starman" by David Bowie, a track Beatie Wolfe most associates with Dr Robert Wilson as he is the ultimate star man. 

This show first aired live on LA’s dublab radio. The podcast was mastered by Dean Hovey. For rights reasons, the music in this podcast version is shorter than in the original broadcast.

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